Analysis The mounting horror of music’s Frankenstream servicesThe following op-ed comes from long-time music industry journalist Eamonn Forde
Analysis Blog In defence of white noise.The following op-ed comes from long-time music industry journalist Eamonn Forde
Analysis Blog Tongue and cheek: the Rolling Stones and the unpalatable ascendancy of fauxganic marketingThe following op-ed comes from long-time music industry journalist Eamonn Forde
Analysis Blog Leave It Be.The following op-ed comes from long-time music industry journalist Eamonn Forde
Analysis Blog How live acts can fully monetise their setlistsThe following op-ed comes from long-time music industry journalist Eamonn Forde
Analysis Blog The concert business could learn a lot from the software sector’s process of ‘dogfooding’The following op/ed comes from long-time music industry journalist Eamonn Forde
Analysis Blog How AI is reshaping the music industryThe following op/ed comes from Nick Breen, a Partner in the Entertainment and Media Industry Group at Global law firm Reed Smith
Analysis Blog ‘Clustering reduces the risk of the wrong rights owners being paid and assists in making performer line-ups as complete and consistent as possible.’PPL’s Chief Information Officer Mark Douglas examines the potential for ‘clustering’ to help solve problems ranging from accuracy to fraud…
Analysis Hyper space: when A&R overreaches itselfThe following op/ed comes from long-time music industry journalist Eamonn Forde
Analysis Blog If you are terrified about AI music stealing your audiences, what does that say about your faith in your own music?The following op/ed comes from long-time music industry journalist Eamonn Forde
Analysis Blog ‘We must make life fair for creators, or we will lose the next Paul McCartney.’CISAC President Bjorn Ulvaeus looks ahead to next week’s CISAC General Assembly in Mexico
Analysis Blog Why the power of AI may hold the key to distributing wealth throughout the music industry (Part 2)This MBW op/ed comes from Ran Geffen, founder of XR connect development agency OMR and CEO of Amusica Song Management in Israel.
Analysis Blog U2 versus ‘The Nostalgia Yield’This op/ed comes from long-time music industry journalist, Eamonn Forde
News Drake is Spotify’s most popular artist in history… and right nowDrake is 10 million streams ahead of Bieber thanks to Views
News Drake makes Spotify wait ANOTHER week for his record-breaking albumViews is a two-week Apple Music exclusive